Charles Spencelayh: A Life in Detail Part III

by Matthew Innis |

On Technique For his highly detailed Representational art, Charles Spencelayh earned the sobriquet “The Human Camera,” a nickname of adulation among the general public, but of contempt and disapproval among the art establishment.  Today, more than half-a-century since Spencelayh’s passing, such an epithet still raises the same emotions, though due to changing tastes, the reason behind…

Access to the full article is limited to Annual Subscriber (Full Access) members.
To continue reading this article, and to gain access to hundreds more with similar content, please subscribe to Underpaintings Magazine. Rates are now only $24.00 a year.
To keep updated on new articles as they are added, please subscribe to the Underpaintings mailing list.

If you are just logged in, but still see this message try to refresh the page.

Log InRegister

Comments are closed for this post

Recent Articles

In the Galleries: Fortuny (1838-1874)

by Matthew Innis |

On View: Realism Without Borders (NYC)

by Matthew Innis |

In the Galleries: Denis Sarazhin at Arcadia Contemporary

by Matthew Innis |