On Technique: George Inness (Part 4)

by Matthew Innis |

“With most of his contemporaries the art of painting became the art of colored engravings,” wrote Montgomery Schuyler. “With Mr. Inness, even from the first, this was not so. Color was not an addition to design, but an integral element of the picture.”

Access to the full article is limited to Annual Subscriber (Full Access) members.
To continue reading this article, and to gain access to hundreds more with similar content, please subscribe to Underpaintings Magazine. Rates are now only $24.00 a year.
To keep updated on new articles as they are added, please subscribe to the Underpaintings mailing list.

If you are just logged in, but still see this message try to refresh the page.

Log InRegister

Comments are closed for this post

Recent Articles

William R. Davis at Collins Galleries

by Matthew Innis |

New Wave U.go Anywhere Pochade Box (UPDATED)

by Matthew Innis |

A Bit of Brit: Montague Dawson, pt. 4

by Matthew Innis |