Painting the Nude Outdoors

by Matthew Innis |

  If you consider for a moment, you will perceive that painting the figure in the open involves a simultaneous attack on nearly every problem in the wide domain of art.  You have first of all the out-door questions of atmospheric vibration and refraction, and the consideration of the color-scale and value-scale;  then, in addition…

Access to the full article is limited to Annual Subscriber (Full Access) members.
To continue reading this article, and to gain access to hundreds more with similar content, please subscribe to Underpaintings Magazine. Rates are now only $24.00 a year.
To keep updated on new articles as they are added, please subscribe to the Underpaintings mailing list.

If you are just logged in, but still see this message try to refresh the page.

Log InRegister

Comments are closed for this post

Recent Articles

Thaulow’s Wintry Landscapes

by Matthew Innis |

Removing Color Cast in Photoshop

by Matthew Innis |

Scenes of Venice: Antonietta Brandeis

by Matthew Innis |

Betrayed by a Kiss: Wilhelmina Bredberg

by Matthew Innis |