Women Artists in the Age of Impressionismby Matthew Innis |
The groundbreaking exhibition Women Artists in the Age of Impressionism broadly surveys a key chapter in art history in which an international group of female artists overcame gender-based restrictions to make remarkable creative strides. Featuring more than eighty paintings by thirty-seven artists from thirteen countries, drawn from prominent collections across the United States and abroad, this exhibition presents renowned artists such as Berthe Morisot (French), Mary Cassatt (American), and Rosa Bonheur (French) alongside lesser-known yet equally important peers including Anna Ancher (Danish), Lilla Cabot Perry (American), and Paula Modersohn-Becker (German).
During the mid-nineteenth century, Paris was the epicenter of the art world, luring artists from around the globe to its academies, museums, salons, and galleries. Scores of women artists traveled to the French capital to develop their art and further their careers, yet despite the cityâ€™s cosmopolitan character, gender norms remained strikingly conservative. Only later in the century did French women gain such fundamental rights as receiving a secondary education (1879), opening a bank account (1881), and obtaining legal guardianship of their children (1907). Furthermore, women were not allowed to attend the Ã‰cole des Beaux-Arts â€“ the countryâ€™s most important art academy â€“ until 1897. Barred from this prestigious institution, and largely unable to participate in the Salon system, women pursued alternative venues by attending private academies, exhibiting independently, and forming their own organizations, such as the Union des Femmes Peintres et Sculpteurs in 1881.
Moral and social stigmas also hindered womenâ€™s full participation in the periodâ€™s artistic circles. Taboos against females being seen in public without a chaperone limited their access to certain spaces and narrowed the range of subjects they could represent. History painting, the foremost genre of the Academy, relied on accurate depictions of nude or draped figures, but as most women artists had scant opportunities to study from nude models, many instead gravitated toward avant-garde movements. Such work often emphasized genre scenes, the models for which could be found in the domestic sphere.
Women Artists in the Age of Impressionism expands our understanding of this rich art historical period and demonstrates the formative role women artists played in the major currents of European modernism, including Realism, Impressionism, and Symbolism. The forward-thinking women represented in this exhibition not only created powerful paintings but also generated a momentum that has led toward a more egalitarian art world.