Color Palettes: The Academic Ebauche Part III
by Matthew Innis |In his book The Mastery of Oil Painting, Frederic Taubes offered a similar underpainting palette to that of the Academy, consisting of lead white, ochre, umber, Prussian blue, and Venetian red.³¹ Taubes proposed that colors like umber and Prussian blue were especially desirable in the first-painting because of their exceptional siccative qualities.³² He also suggested…
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