When The Honourable John Collier wrote his excellent book The Art of Portrait Painting in 1905, he not only explored the “Aims and Methods of the Great Masters,” (Holbein, Titian, Rembrandt, Velasquez, Vandyke, etc.), but also ventured to discuss the processes of three, then-contemporary, portrait artists working in Great Britain.  The Scot Sir William Quiller Orchardson was…
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