Gottsegen’s Thoughts on Varnishing

by Matthew Innis |

Varnishing is hardly anyone’s favorite part of painting, and, truth-be-told, is probably the step in the creation of an artwork that receives the least thought – that is, until the day that that final, sealing coat is actually applied.

Access to the full article is limited to Annual Subscriber (Full Access) members.
To continue reading this article, and to gain access to hundreds more with similar content, please subscribe to Underpaintings Magazine. Rates are now only $24.00 a year.
To keep updated on new articles as they are added, please subscribe to the Underpaintings mailing list.

If you are just logged in, but still see this message try to refresh the page.

Log InRegister

Comments are closed for this post

Recent Articles

Artists in Passing: Tom Thomson, pt. 3

by Matthew Innis |

Artists in Passing: Tom Thomson, pt. 2

by Matthew Innis |

Two Upcoming 19th Century Art Sales

by Matthew Innis |

Winsor & Newton Watercolor Field Box

by Matthew Innis |