On Technique: C. F. Payneby Matthew Innis |
When I entered my university’s art program, it was with the belief that part of my education was to include training in the tools of my trade. After all – to borrow an oft-used comparison – how could I be expected to write the next great novel if I hadn’t been given a basic grasp of the language first? But it turned out technical training was not to be part of the curriculum . . .