When I first began painting, I asked everyone I could harass what was their “secret formula” for painting flesh. Â (A college professor had told me I had horrible color sense because I used brown in the painting of a costume, and my fragile ego had me very uncertain about color for years). Â One artist told…
Access to the full article is limited to Lifetime Member members. To continue reading this article, and to gain access to hundreds more with similar content, please subscribe to Underpaintings Magazine. Rates are now only $24.00 a year. To keep updated on new articles as they are added, please subscribe to the Underpaintings mailing list.
If you are just logged in, but still see this message try to refresh the page.