“. . . Â if we look for the most fundamental distinction between our modern art and the art of past times, I believe we shall find it to be this: Â the art of the past was produced for a public that wanted it and understood it, by artists who understood and sympathized with their…
Access to the full article is limited to Lifetime Member members. To continue reading this article, and to gain access to hundreds more with similar content, please subscribe to Underpaintings Magazine. Rates are now only $24.00 a year. To keep updated on new articles as they are added, please subscribe to the Underpaintings mailing list.
If you are just logged in, but still see this message try to refresh the page.